G

20 chord types · 20 scale types

GMajor

Happy, bright sound. The most common chord type.

GBD
DGB
Intervals: 0 - 4 - 7 semitones

GmMinor

Sad, darker sound. Second most common chord type.

GA#D
DGA#
Intervals: 0 - 3 - 7 semitones

GdimDiminished

Tense, unstable sound. Often used as passing chord.

GA#C#
GC#A#
Intervals: 0 - 3 - 6 semitones

GaugAugmented

Mysterious, floating sound. Symmetrical structure.

GBD#
GBD#
Intervals: 0 - 4 - 8 semitones

Gsus2Suspended 2nd

Open, ambiguous sound. Neither major nor minor.

GAD
DGA
Intervals: 0 - 2 - 7 semitones

Gsus4Suspended 4th

Tension wanting to resolve. Common in rock/pop.

GCD
CDG
Intervals: 0 - 5 - 7 semitones

Gmaj7Major 7th

Smooth, jazzy sound. Very common in jazz and R&B.

GBDF#
DGBF#
Intervals: 0 - 4 - 7 - 11 semitones

Gm7Minor 7th

Mellow, jazzy minor. Staple of jazz and soul music.

GA#DF
DFGA#
Intervals: 0 - 3 - 7 - 10 semitones

G7Dominant 7th

Bluesy tension. Wants to resolve to the tonic.

GBDF
DFGB
Intervals: 0 - 4 - 7 - 10 semitones

Gdim7Diminished 7th

Extremely tense. Symmetrical — repeats every 3 semitones.

GA#C#E
EGC#A#
Intervals: 0 - 3 - 6 - 9 semitones

Gm7♭5Half-Diminished 7th

Minor 7th with a flat 5. Used in jazz ii-V-I in minor keys.

GA#C#F
FGC#A#
Intervals: 0 - 3 - 6 - 10 semitones

GmMaj7Minor Major 7th

Dark yet sophisticated. Common in film scores.

GA#DF#
DGF#A#
Intervals: 0 - 3 - 7 - 11 semitones

Gaug7Augmented 7th

Dominant with raised 5th. Adds extra tension.

GBD#F
FGBD#
Intervals: 0 - 4 - 8 - 10 semitones

Gadd9Add 9

Major triad with added 9th. Bright, open sound.

GBDA
DGAB
Intervals: 0 - 4 - 7 - 14 semitones

Gmaj9Major 9th

Lush, sophisticated. Popular in jazz and neo-soul.

GBDF#A
DGABF#
Intervals: 0 - 4 - 7 - 11 - 14 semitones

Gm9Minor 9th

Rich minor color. Smooth jazz staple.

GA#DFA
DFGAA#
Intervals: 0 - 3 - 7 - 10 - 14 semitones

G9Dominant 9th

Funky, bluesy. Common in funk and R&B.

GBDFA
DFGAB
Intervals: 0 - 4 - 7 - 10 - 14 semitones

G66th

Sweet, nostalgic sound. Classic jazz voicing.

GBDE
DEGB
Intervals: 0 - 4 - 7 - 9 semitones

Gm6Minor 6th

Bittersweet quality. Used in jazz and bossa nova.

GA#DE
DEGA#
Intervals: 0 - 3 - 7 - 9 semitones

G5Power Chord

Root and fifth only. The backbone of rock and metal.

GD
DG
Intervals: 0 - 7 semitones