B

20 chord types · 20 scale types

BMajor

Happy, bright sound. The most common chord type.

BD#F#
BD#F#
Intervals: 0 - 4 - 7 semitones

BmMinor

Sad, darker sound. Second most common chord type.

BDF#
DBF#
Intervals: 0 - 3 - 7 semitones

BdimDiminished

Tense, unstable sound. Often used as passing chord.

BDF
DFB
Intervals: 0 - 3 - 6 semitones

BaugAugmented

Mysterious, floating sound. Symmetrical structure.

BD#G
GBD#
Intervals: 0 - 4 - 8 semitones

Bsus2Suspended 2nd

Open, ambiguous sound. Neither major nor minor.

BC#F#
BC#F#
Intervals: 0 - 2 - 7 semitones

Bsus4Suspended 4th

Tension wanting to resolve. Common in rock/pop.

BEF#
EBF#
Intervals: 0 - 5 - 7 semitones

Bmaj7Major 7th

Smooth, jazzy sound. Very common in jazz and R&B.

BD#F#A#
BD#F#A#
Intervals: 0 - 4 - 7 - 11 semitones

Bm7Minor 7th

Mellow, jazzy minor. Staple of jazz and soul music.

BDF#A
DABF#
Intervals: 0 - 3 - 7 - 10 semitones

B7Dominant 7th

Bluesy tension. Wants to resolve to the tonic.

BD#F#A
ABD#F#
Intervals: 0 - 4 - 7 - 10 semitones

Bdim7Diminished 7th

Extremely tense. Symmetrical — repeats every 3 semitones.

BDFG#
DFBG#
Intervals: 0 - 3 - 6 - 9 semitones

Bm7♭5Half-Diminished 7th

Minor 7th with a flat 5. Used in jazz ii-V-I in minor keys.

BDFA
DFAB
Intervals: 0 - 3 - 6 - 10 semitones

BmMaj7Minor Major 7th

Dark yet sophisticated. Common in film scores.

BDF#A#
DBF#A#
Intervals: 0 - 3 - 7 - 11 semitones

Baug7Augmented 7th

Dominant with raised 5th. Adds extra tension.

BD#GA
GABD#
Intervals: 0 - 4 - 8 - 10 semitones

Badd9Add 9

Major triad with added 9th. Bright, open sound.

BD#F#C#
BC#D#F#
Intervals: 0 - 4 - 7 - 14 semitones

Bmaj9Major 9th

Lush, sophisticated. Popular in jazz and neo-soul.

BD#F#A#C#
BC#D#F#A#
Intervals: 0 - 4 - 7 - 11 - 14 semitones

Bm9Minor 9th

Rich minor color. Smooth jazz staple.

BDF#AC#
DABC#F#
Intervals: 0 - 3 - 7 - 10 - 14 semitones

B9Dominant 9th

Funky, bluesy. Common in funk and R&B.

BD#F#AC#
ABC#D#F#
Intervals: 0 - 4 - 7 - 10 - 14 semitones

B66th

Sweet, nostalgic sound. Classic jazz voicing.

BD#F#G#
BD#F#G#
Intervals: 0 - 4 - 7 - 9 semitones

Bm6Minor 6th

Bittersweet quality. Used in jazz and bossa nova.

BDF#G#
DBF#G#
Intervals: 0 - 3 - 7 - 9 semitones

B5Power Chord

Root and fifth only. The backbone of rock and metal.

BF#
BF#
Intervals: 0 - 7 semitones