F

20 chord types · 20 scale types

FMajor

Happy, bright sound. The most common chord type.

FAC
CFA
Intervals: 0 - 4 - 7 semitones

FmMinor

Sad, darker sound. Second most common chord type.

FG#C
CFG#
Intervals: 0 - 3 - 7 semitones

FdimDiminished

Tense, unstable sound. Often used as passing chord.

FG#B
FBG#
Intervals: 0 - 3 - 6 semitones

FaugAugmented

Mysterious, floating sound. Symmetrical structure.

FAC#
FAC#
Intervals: 0 - 4 - 8 semitones

Fsus2Suspended 2nd

Open, ambiguous sound. Neither major nor minor.

FGC
CFG
Intervals: 0 - 2 - 7 semitones

Fsus4Suspended 4th

Tension wanting to resolve. Common in rock/pop.

FA#C
CFA#
Intervals: 0 - 5 - 7 semitones

Fmaj7Major 7th

Smooth, jazzy sound. Very common in jazz and R&B.

FACE
CEFA
Intervals: 0 - 4 - 7 - 11 semitones

Fm7Minor 7th

Mellow, jazzy minor. Staple of jazz and soul music.

FG#CD#
CFD#G#
Intervals: 0 - 3 - 7 - 10 semitones

F7Dominant 7th

Bluesy tension. Wants to resolve to the tonic.

FACD#
CFAD#
Intervals: 0 - 4 - 7 - 10 semitones

Fdim7Diminished 7th

Extremely tense. Symmetrical — repeats every 3 semitones.

FG#BD
DFBG#
Intervals: 0 - 3 - 6 - 9 semitones

Fm7♭5Half-Diminished 7th

Minor 7th with a flat 5. Used in jazz ii-V-I in minor keys.

FG#BD#
FBD#G#
Intervals: 0 - 3 - 6 - 10 semitones

FmMaj7Minor Major 7th

Dark yet sophisticated. Common in film scores.

FG#CE
CEFG#
Intervals: 0 - 3 - 7 - 11 semitones

Faug7Augmented 7th

Dominant with raised 5th. Adds extra tension.

FAC#D#
FAC#D#
Intervals: 0 - 4 - 8 - 10 semitones

Fadd9Add 9

Major triad with added 9th. Bright, open sound.

FACG
CFGA
Intervals: 0 - 4 - 7 - 14 semitones

Fmaj9Major 9th

Lush, sophisticated. Popular in jazz and neo-soul.

FACEG
CEFGA
Intervals: 0 - 4 - 7 - 11 - 14 semitones

Fm9Minor 9th

Rich minor color. Smooth jazz staple.

FG#CD#G
CFGD#G#
Intervals: 0 - 3 - 7 - 10 - 14 semitones

F9Dominant 9th

Funky, bluesy. Common in funk and R&B.

FACD#G
CFGAD#
Intervals: 0 - 4 - 7 - 10 - 14 semitones

F66th

Sweet, nostalgic sound. Classic jazz voicing.

FACD
CDFA
Intervals: 0 - 4 - 7 - 9 semitones

Fm6Minor 6th

Bittersweet quality. Used in jazz and bossa nova.

FG#CD
CDFG#
Intervals: 0 - 3 - 7 - 9 semitones

F5Power Chord

Root and fifth only. The backbone of rock and metal.

FC
CF
Intervals: 0 - 7 semitones