C♯ / D♭

20 chord types · 20 scale types

C#Major

Happy, bright sound. The most common chord type.

C#FG#
FC#G#
Intervals: 0 - 4 - 7 semitones

C#mMinor

Sad, darker sound. Second most common chord type.

C#EG#
EC#G#
Intervals: 0 - 3 - 7 semitones

C#dimDiminished

Tense, unstable sound. Often used as passing chord.

C#EG
EGC#
Intervals: 0 - 3 - 6 semitones

C#augAugmented

Mysterious, floating sound. Symmetrical structure.

C#FA
FAC#
Intervals: 0 - 4 - 8 semitones

C#sus2Suspended 2nd

Open, ambiguous sound. Neither major nor minor.

C#D#G#
C#D#G#
Intervals: 0 - 2 - 7 semitones

C#sus4Suspended 4th

Tension wanting to resolve. Common in rock/pop.

C#F#G#
C#F#G#
Intervals: 0 - 5 - 7 semitones

C#maj7Major 7th

Smooth, jazzy sound. Very common in jazz and R&B.

C#FG#C
CFC#G#
Intervals: 0 - 4 - 7 - 11 semitones

C#m7Minor 7th

Mellow, jazzy minor. Staple of jazz and soul music.

C#EG#B
EBC#G#
Intervals: 0 - 3 - 7 - 10 semitones

C#7Dominant 7th

Bluesy tension. Wants to resolve to the tonic.

C#FG#B
FBC#G#
Intervals: 0 - 4 - 7 - 10 semitones

C#dim7Diminished 7th

Extremely tense. Symmetrical — repeats every 3 semitones.

C#EGA#
EGC#A#
Intervals: 0 - 3 - 6 - 9 semitones

C#m7♭5Half-Diminished 7th

Minor 7th with a flat 5. Used in jazz ii-V-I in minor keys.

C#EGB
EGBC#
Intervals: 0 - 3 - 6 - 10 semitones

C#mMaj7Minor Major 7th

Dark yet sophisticated. Common in film scores.

C#EG#C
CEC#G#
Intervals: 0 - 3 - 7 - 11 semitones

C#aug7Augmented 7th

Dominant with raised 5th. Adds extra tension.

C#FAB
FABC#
Intervals: 0 - 4 - 8 - 10 semitones

C#add9Add 9

Major triad with added 9th. Bright, open sound.

C#FG#D#
FC#D#G#
Intervals: 0 - 4 - 7 - 14 semitones

C#maj9Major 9th

Lush, sophisticated. Popular in jazz and neo-soul.

C#FG#CD#
CFC#D#G#
Intervals: 0 - 4 - 7 - 11 - 14 semitones

C#m9Minor 9th

Rich minor color. Smooth jazz staple.

C#EG#BD#
EBC#D#G#
Intervals: 0 - 3 - 7 - 10 - 14 semitones

C#9Dominant 9th

Funky, bluesy. Common in funk and R&B.

C#FG#BD#
FBC#D#G#
Intervals: 0 - 4 - 7 - 10 - 14 semitones

C#66th

Sweet, nostalgic sound. Classic jazz voicing.

C#FG#A#
FC#G#A#
Intervals: 0 - 4 - 7 - 9 semitones

C#m6Minor 6th

Bittersweet quality. Used in jazz and bossa nova.

C#EG#A#
EC#G#A#
Intervals: 0 - 3 - 7 - 9 semitones

C#5Power Chord

Root and fifth only. The backbone of rock and metal.

C#G#
C#G#
Intervals: 0 - 7 semitones